Відео

This is not certainly by Scarlatti. From one of the editions: "The manuscript containing this Fandango attributed to Scarlatti is found in the Archivo Histórico Provincial de Santa Cruz de Tenerife, Archivo Zárate Cólogan, Ms. 276. Seemingly, much care has not gone into the copying of this piece (wrong notes, missing ending etc.). Bookworms have rendered some texts difficult to read. "

1:13 6:54

An das Baroqueohiro vielen ❤❤❤❤ Herzlichen Dank für Ihre schöne Musik von diesem Konzert/Komponist und ebenso an alle Musiziernden.Viele Grüße an euch alle von mir Joachim Ehlers aus Schallstadt südlich von Freiburg Germany

So similar to Rv 385

29:24 - Rameau was visionary. The last two "Doubles" (or Variations) of the Gavotte sounds like music from the 1980s!

The music of this period of Spanish music seems deeply spiritual.

Vraiment magnifique, merci

以前聞いたときはもっとテンポが早かった筈。スローだと持ち味が生きないよ。

❤

Hipnótico, maravilloso,...

Can't wait to hear Himari play this. Shoji Sayaka is absolutely great, but then there is that miracle from Tokyo.

What a wonderful piece ❤

Wonderful interpreration of Handels beautiful music❤

Ce fandango a été repris par Gluck dans «Don Juan», Mozart dans «Le nozze di Figaro» et Boccherini dans son propre «Fandango» avec guitare et castagnettes.

Le dernier double❤🤩🥇

MAESTRO PALESTRINA SHOULD BE CANONIZED FOR THE MIRACLES OF HIS COMPOSITIONS.

🫶

控えめに言って、史上最高の演奏だと思う。

I like this rendition. Others are fast but I like this one.

The guitar pays homage to the delicate crystalline quality of Scarlatti's sonatas. And it perhaps add the warmth of this instrument, which differs so sensitively from the harpsichord. Each reveals one of the deep and diverse souls of this music. A real and intimate pleasure, thank you.

this performance is the equivalent of a succulent and crispy ham and pepperoni stromboli with extra marinara

Capriccio in B-flat major, BWV 992 written ca 1705 -- Gavotte et Doubles 1728

Fandango was a dance

Enchanteur.

Lovely and hauntingly beautiful ❤❤

And again I'm enchanted.

❤love the harpsichord / & this little ditty great &the first predecessor of a piano ive ever heard / magnificient.💯🇺🇸😍😘✌👍☺💪😊

The gold standard for this piece. Bravo.

Straight fire 🔥

FANTASTICO

scaramouche do the fandango now

I desperately want this on spotify! 😩

I like the part where it goes badup badup badup bililililililililili. Good stuff.

This is actually a pretty sounding harpsichord. Not one of those metal frame hybrids modernists of the 20th century preferred..

Fabuloso, exquisito. Bravo, bravisimo. Me recontra encanto. Tks

Beautiful! Very elegant! Astounding! I very much admire both the composer and the performer. The harpsichord has been my favourite instrument since I was age 4. Christoph Graupner ❤

SURREAL INCREDIBLE BREATHTAKING ETHEREAL MOVING AND HEARTFELT This piece is a prime example of why for me, as a classical, flamenco and neoclassical metal guitarist for 23+ years, Domenico Scarlatti as well as Alessandro are always and will be two of the most influential, GREATEST, most supreme composers who ever walked the earth. My highest praise and laud to the performer harpsichordist, also, who performed this piece FLAWLESSLY with passion, style, flair and dynamics. AWESOME, EPIC PERFORMANCE of one of Domenico's GREATEST WORKS!!! Baroque FOREVER!!!! \m/

What a roller coaster ride

Perfect music for playing TETRIS

Solo una breve aportación: desde hace no menos de treinta años soy el feliz poseedor del CD del que procede esta pequeña gran joya de la música universal. Para quienes quieran saber algo más sobre ella y su autor, Diego Ortiz, ahí está la Wikipedia. Respecto al CD, transcribo desde su contraportada: Jordi Savall, viola de gamba Genoveva Gálvez, clavicímbalo y órgano positivo. Con la colaboración de Sergi Cassademunt, viola de gamba tenor Producción dirigida por Roberto Pla Grabación realizada en la iglesia visigótica de San Román de Toledo Tecnico de sonido Peter Willemöes El órgano positivo utilizado en esta grabación fué cedido por el director de Ars Musicæ, Enrico Gispert Grabación sonora original de Hispavox, S.A., Madrid (España), 1970. El CD data de1993 y siempre ha estado entre mis favoritos. Sobra decir que lo conservo como oro en paño.

8:12

la cumbia de la música clásica

What's the instrument - the revalement Couchet on the cover???

Out of a turbulent period when Christian and Christian were at each others’ throats, came these visions of the Divine from a plethora of extraordinary composers … I fall to my knees in gratitude for them …

She is my favorite. No one plays ornaments like her. No one. We lost this wonder woman way too soon. I love her Ravel and Scarlatti, but most of all her Couperin, which was removed from yt about 3 years ago.

Dog not happy

Un grande , sarà ricordato a lungo.

Wonderful and eternal!

Legend 🎉

La Recercada quinta sobre el Passamezzo Antiguo es la más absoluta barbaridad, solo al nivel del Pie Jesu Domine de Morales. Sobrehumano